HAVING arrived in Attica, Theseus was met beside the River Cephissus by the sons of Phytalus, who purified him from the blood he had spilled, but especially from that of Sinis, a maternal kinsman of his. The altar of Gracious Zeus, where this ceremony was performed, still stands by the riverside. Afterwards, the Phytalids welcomed Theseus as their guest, which was the first true hospitality he had received since leaving Troezen. Dressed in a long garment that reached to his feet and with his hair neatly plaited, he entered Athens on the eighth day of the month Cronus, now called Hecatomboeon. As he passed the nearly-completed temple of Apollo the Dolphin, a group of masons working on the roof mistook him for a girl, and impertinently asked why he was allowed to wander about unescorted. Disdaining to reply, Theseus unyoked the oxen from the masons’ cart and tossed one of them into the air, high above the temple roof.
b. Now, while Theseus was growing up in Troezen, Aegeus had kept his promise to Medea. He gave her shelter in Athens when she fled from Corinth in the celebrated chariot drawn by winged serpents, and married her, rightly confident that her spells would enable him to beget an heir; for he did not yet know that Aethra had borne him Theseus.
c. Medea, however, recognized Theseus as soon as he arrived in the city, and grew jealous on behalf of Medus, her son by Aegeus, who was generally expected to succeed him on the Athenian throne. She therefore persuaded Aegeus that Theseus came as a spy or an assassin, and had him invited to a feast at the Dolphin Temple; Aegeus, who used the temple as his residence, was then to offer him a cup of wine already prepared by her. This cup contained wolfsbane, a poison which she had brought from Bithynian Acherusia, where it first sprang from the deadly foam scattered by Cerberus when Heracles dragged him out of Tartarus; because wolfsbane flourishes on bare rocks, the peasants call it ‘aconite’.
d. Some say that when the roast beef was served in the Dolphin Temple, Theseus ostentatiously drew his sword, as if to carve, and thus attracted his father’s attention; but others, that he had unsuspectingly raised the cup to his lips before Aegeus noticed the Erechtheid serpents carved on the ivory sword-hilt and dashed the poison to the floor. The spot where the cup fell is still shown, barred off from the rest of the temple.
e. Then followed the greatest rejoicing that Athens had ever known. Aegeus embraced Theseus, summoned a public assembly, and acknowledged him as his son. He lighted fires on every altar and heaped the gods’ images with gifts; hecatombs of garlanded oxen were sacrificed and, throughout the palace and the city, nobles and commoners feasted together, and sang of Theseus’s glorious deeds that already outnumbered the years of his life.
f. Theseus then went in vengeful pursuit of Medea, who eluded him by casting a magic cloud about herself; and presently left Athens with young Medus, and an escort which Aegeus generously provided. But some say that she fled with Polyxenus, her son by Jason.
g. Pallas and his fifty sons, who even before this had declared Aegeus was not a true Erechtheid and thus had no right to the throne of Athens, broke into open revolt when this footloose stranger threatened to baulk their hopes of ever ruling Athens. They divided their forces: Pallas with twenty-five of his sons and numerous retainers marched against the city from the direction of Sphettus, while the other twenty-five lay in ambush at Gargettus. But Theseus, informed of their plan by a herald named Leos, of the Agnian clan, sprang the ambush destroyed and the entire force. Pallas thereupon disbanded his corners and sued for peace. The Pallantids have never forgotten Leos’s treachery, and still will not intermarry with the Agnians nor allow any herald to begin a proclamation with the words ‘Akouete leoi!’ (‘Hearken people!’), because of the resemblance which leoi bean to the name of Leos.
h. This Leos must be distinguished from the other Leos, Orpheus’s son, and ancestor of the Athenian Leontids. Once, in a time of plague, Leos obeyed the Delphic Oracle by sacrificing his daughters Theope, Praxithea, and Eubule to save the city. The Athenians made up the Leocorium in their honour.
2. Medea’s expulsion first from Corinth, and then from Athens, refers to the Hellenic suppression of the Earth-goddess’s cult-her serpent chariot shows her to be a Corinthian Demeter. Theseus’s defeat of the Pallantids similarly refers to the suppression of the original Athene cult, with its college of fifty priestesses-pallas can mean either ‘youth’ or ‘maiden’. Still another version of the same story is the sacrifice of Leos’s three daughters, who are really the goddess in triad. The Maiden is Theope (‘divine face’), the New Moon; the Nymph is Praxithea (‘active goddess’), the Queen-bee-Cecrops’s mother bore the same name in Euboea (Apollodorus); the Crone is Eubule (‘good counsel’), the oracular goddess, whom Eubuleus the swineherd served at Eleusis.
3. That Pallantids and Agnians refrained from inter-marriage may have been a relic of exogamy, with its complex system of group-marriage between phratries, each phratry or sub- phratry consisting of several totem clans: if so, Pallantids and Agnians will have belonged to the same sub-phratry, marriage being permitted only between members of different ones. The Pallantid clan probably had a goat for its totem, as the Agnians had a lamb, the Leontids a lion, and the Erechtheids a serpent. Many other totem clans are hinted at in Attic mythology: among them, crow, nightingale, hoopoe, wolf, bear, and owl.
4. To judge from the Theseus and Heracles myths, both Athene’s chief priestess at Athens, and Hera’s at Argos, belonged to a lion clan, into which they adopted sacred kings; and a gold ring found at Tiryns shows four lion-men offering libation vessels to a seated goddess, who must be Hera, since a cuckoo perches behind her throne. Despite the absence of lions in Crete, they figured there too as the Goddess’s beasts. Athene was not associated with the cuckoo but had several other bird epiphanies, which may be totemistic by origin. In Homer she appears as a sea-eagle (Odyssey) and a swallow; in company with Apollo, as a vulture (Iliad); and in company with Hera, as a dove. On a small Athenian vase of 500 BC she is shown as a lark; and Athene the diver-bird, or gannet, had a shrine near Megara (Pausanias). But the wise owl was her principal epiphany. The owl clan preserved their ritual until late Classical times: initiates in owl-disguise would perform a ceremony of catching their totem bird (Aelian: Varia Historia; Pollux; Athenaeus).
5. Plutarch’s story of Akouete leoi is plausible enough: it often happened in the primitive religions that words were banned because they sounded like the name of a person, object, or animal, which could not be safely mentioned; especially words suggesting the names of dead kinsmen, even if they had come to a natural end.
6. The Pallantids’ denial that Aegeus and Theseus were true Erechtheids may reflect a sixth-century protest at Athens against the usurpation by the immigrant Butadae (who refurbished the Theseus legend) of the native Erechtheid priesthood.
b. Now, while Theseus was growing up in Troezen, Aegeus had kept his promise to Medea. He gave her shelter in Athens when she fled from Corinth in the celebrated chariot drawn by winged serpents, and married her, rightly confident that her spells would enable him to beget an heir; for he did not yet know that Aethra had borne him Theseus.
d. Some say that when the roast beef was served in the Dolphin Temple, Theseus ostentatiously drew his sword, as if to carve, and thus attracted his father’s attention; but others, that he had unsuspectingly raised the cup to his lips before Aegeus noticed the Erechtheid serpents carved on the ivory sword-hilt and dashed the poison to the floor. The spot where the cup fell is still shown, barred off from the rest of the temple.
e. Then followed the greatest rejoicing that Athens had ever known. Aegeus embraced Theseus, summoned a public assembly, and acknowledged him as his son. He lighted fires on every altar and heaped the gods’ images with gifts; hecatombs of garlanded oxen were sacrificed and, throughout the palace and the city, nobles and commoners feasted together, and sang of Theseus’s glorious deeds that already outnumbered the years of his life.
f. Theseus then went in vengeful pursuit of Medea, who eluded him by casting a magic cloud about herself; and presently left Athens with young Medus, and an escort which Aegeus generously provided. But some say that she fled with Polyxenus, her son by Jason.
h. This Leos must be distinguished from the other Leos, Orpheus’s son, and ancestor of the Athenian Leontids. Once, in a time of plague, Leos obeyed the Delphic Oracle by sacrificing his daughters Theope, Praxithea, and Eubule to save the city. The Athenians made up the Leocorium in their honour.
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1. This artificial romance with its theatrical dénouement in the poisoning scene recalls that of Ion; and the incident of the ox thrown into the air seems merely a crude imitation of Heracles’s feats. The ‘masons’ question is anachronistic, because in the heroic age young woman went about unescorted; neither could Theseus have been mistaken for a girl if he had already dedicated his hair to Apollo and become one of the Curetes. Yet the story’s weaknesses suggest that it has been deduced from an ancient icon which, since the men on the temple roof were recognizably masons, will have shown a sacrifice performed on the day when the temple was completed. It is likely that the figure, taken for Theseus, who unyokes the sacrificial white ox from a cart, is a priestess; and that, because of its dolphin decorations, the temple has been misread as Apollo’s, though the dolphin was originally an emblem of the Moon-goddess. The beast has not been tossed into the air. It is the deity in whose honour the sacrifice is being offered: either a white moon-cow, the goddess herself, or the white bull of Poseidon, who shared a shrine on the Acropolis with Athene and to whom, as Sea-god, dolphins were sacred; Apollo’s priests, Plutarch not the least, were always zealous to enhance his power and authority at the expense of other deities. A companion icon, from which the story of the poisoned cup will have been deduced-aconite was a well-known paralysant- probably showed a priest or priestess pouring a libation to the ghosts of the men sacrificed when the foundations were laid, while Persephone and Cerberus stand by. Plutarch describes Aegeus as living in the Dolphin Temple rather than a private house; and this is correct since, as sacred king, he had apartments in the Queen’s palace.3. That Pallantids and Agnians refrained from inter-marriage may have been a relic of exogamy, with its complex system of group-marriage between phratries, each phratry or sub- phratry consisting of several totem clans: if so, Pallantids and Agnians will have belonged to the same sub-phratry, marriage being permitted only between members of different ones. The Pallantid clan probably had a goat for its totem, as the Agnians had a lamb, the Leontids a lion, and the Erechtheids a serpent. Many other totem clans are hinted at in Attic mythology: among them, crow, nightingale, hoopoe, wolf, bear, and owl.
4. To judge from the Theseus and Heracles myths, both Athene’s chief priestess at Athens, and Hera’s at Argos, belonged to a lion clan, into which they adopted sacred kings; and a gold ring found at Tiryns shows four lion-men offering libation vessels to a seated goddess, who must be Hera, since a cuckoo perches behind her throne. Despite the absence of lions in Crete, they figured there too as the Goddess’s beasts. Athene was not associated with the cuckoo but had several other bird epiphanies, which may be totemistic by origin. In Homer she appears as a sea-eagle (Odyssey) and a swallow; in company with Apollo, as a vulture (Iliad); and in company with Hera, as a dove. On a small Athenian vase of 500 BC she is shown as a lark; and Athene the diver-bird, or gannet, had a shrine near Megara (Pausanias). But the wise owl was her principal epiphany. The owl clan preserved their ritual until late Classical times: initiates in owl-disguise would perform a ceremony of catching their totem bird (Aelian: Varia Historia; Pollux; Athenaeus).
5. Plutarch’s story of Akouete leoi is plausible enough: it often happened in the primitive religions that words were banned because they sounded like the name of a person, object, or animal, which could not be safely mentioned; especially words suggesting the names of dead kinsmen, even if they had come to a natural end.
6. The Pallantids’ denial that Aegeus and Theseus were true Erechtheids may reflect a sixth-century protest at Athens against the usurpation by the immigrant Butadae (who refurbished the Theseus legend) of the native Erechtheid priesthood.
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