There was a great and powerful king named Eylimi; to his fair daughter Hjordis Sigmund paid court after he had put Borghild away. King Lyngvi, son of Hunding, who had escaped from the field at Frekastein, also sought her hand. King Eylimi permitted his daughter to make her own choice, and she chose Sigmund for his fame, in spite of his years. He wedded Hjordis and took her home with him, king Eylimi bearing them company. King Lyngvi and his brothers marshaled their forces and marched against Sigmund to summon him to battle. Sigmund at once accepted the challenge; but before taking the field he transported Hjordis with her serving maid and a great store of goods into a forest to keep her safe from the enemy. Sigmund bore himself bravely in the battle, and no one was able to stand against him until an old one-eyed man, dressed in a broad-brimmed hat and a blue cloak, and carrying a spear in his hand, entered Lyngvi’s ranks. He advanced upon Sigmund, whose strokes he warded off with his spear, and Sigmund’s splendid sword shortly broke asunder. From that moment the fortunes of war took a turn, the outcome of which was that Sigmund and Eylimi fell, and with them the greater part of their men. Lyngvi hastened to the king’s palace, meaning to take Hjordis captive, but found neither her nor any of the goods; so, contenting himself perforce with laying the kingdom under his own sway, he returned home. The night after the battle Hjordis went out onto the field and found Sigmund still among the living. She asked him if he had any hope of being healed of his wounds. But he would not so much as try, since luck had forsaken him. “Yet you shall give birth to a son,” he said, “who shall become the greatest of our race. Keep for him the two pieces of my sword; from them a goodly sword can be forged, which shall be called Gram. That sword he shall bear at his side and with it do many a deed of passing prowess.” Hjordis remained sitting by Sigmund until he died; then she took up the fragments of the sword, changed her own clothing for that of her handmaiden, and made her way to the seashore. There certain Viking ships were lying, under the command of Alf, the son of king Hjalprek of Denmark. He received them well. The hand maiden told the story of Sigmund’s death and showed Alf where the treasure lay hidden; accordingly he sailed with them to Denmark, believing all the while that Hjordis was the handmaiden and that the handmaiden was a princess. But his mother noticed that Hjordis was the more beautiful and had more courtly manners than the other, and so Alf determined to put them to the test. When the occasion came he asked them a question: “By what token can you mark the coming of morning when neither moon nor stars are visible?” The handmaiden answered: “As a child I was accustomed to drinking a great deal toward dawn and therefore I have formed the habit of waking at that time; this is the sign I am governed by.” The king laughed and said, “The king’s daughter was not brought up as well as might be.” Hjordis said: “My father gave me a gold ring that had the property of turning cold on my finger as dawn drew near; that is a sure sign to me.” The king replied: “Gold there must have been in plenty since bondwomen were in the habit of wearing it; now I know that you have deceived me, and of that you had no need; nevertheless you shall become my wife as soon as your child is born.” She then confessed all that she had done and gladly entered into accord with him.
In Greek mythology, a Gorgon is a mythical creature portrayed in ancient Greek literature. While descriptions of Gorgons vary across Greek literature and occur in the earliest examples of Greek literature, the term commonly refers to any of three sisters who had hair made of living, venomous snakes, as well as a horrifying visage that turned those who beheld her to stone. Traditionally, while two of the Gorgons were immortal, Stheno and Euryale, their sister Medusa was not and she was slain by the demigod and hero Perseus. The large Gorgon eyes, as well as Athena 's "flashing" eyes, are symbols termed "the divine eyes" by Gimbutas (who did not originate the perception); they appear also in Athena's sacred bird, the owl. They may be represented by spirals, wheels, concentric circles, swastikas, firewheels, and other images. Anyone who would gaze into their eyes would be turned to stone instantly. Essential Reads: Engaging Books You Can't Miss...
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